Half-day session (4hrs) at £300Your services, priced and timed
Touch up, cover up and the rest of the menu each carry a price, a length and a category, ready to book online.


Take enquiries, hold sessions with a deposit and send consent forms with the booking. Built for the chair and the whole studio.
No commission on new clients. No per client charges.
One monthly subscription. 2.5% + 35p on standard UK cards, only when you take a card payment.

Real screens from Black Ink Studios, our demo tattoo studio, with the numbers it shows today.
Half-day session (4hrs) at £300Touch up, cover up and the rest of the menu each carry a price, a length and a category, ready to book online.
Replied to from the appEvery review names who it was with and what was booked, this one for cover up. Reply from the same screen.
Touch up, 1 hourOpen any appointment to see the service, time, length, price and deposit, with the client and their history a scroll away.
Clients enquire, book and pay a non refundable deposit online, then complete consent before the session. Each artist runs their own diary and clients get reminded so slots never go to waste.
No commission on new clients. No per client charges.
One monthly subscription. 2.5% + 35p only when you take a card payment.



A day of tattooing given away to a no show is a day you cannot get back. The design time is already spent. Take a meaningful deposit at consultation, hold it against the sitting and take payment sitting by sitting on a large piece.
Deposits come off the final total.
2.5% plus 35p on standard UK cards, with the platform fee inside it.



Most serious work is a series of sittings across months. The collector who comes back for the next piece is worth many walk-ins. Keep the design, the references, the healing notes and the aftercare on one record.
Consent forms stored with the record.
Unlimited customer records on every plan, yours to export at any time.



A tattoo artist sells days rather than appointments. A Saturday given to somebody who does not arrive cannot be refilled at short notice. The design for it was drawn on a Tuesday evening that nobody paid for.
Design time happens before the sitting and is unpaid unless the deposit covers it. A meaningful deposit taken at consultation is the only thing making speculative drawing viable. It is the difference between an artist who draws for booked clients and one who draws for anybody who wanders in.
On large pieces stage the money across the sittings rather than settling at the end. A sleeve running over eight months should never sit as one accumulating debt, because by month six it is a sum the client has to find rather than a payment she is used to making.
A large piece cannot be worked again until it has healed, which is a fortnight at the very least and considerably longer on a lower leg or anywhere that creases. Booking the next sitting too early wastes a day for both of you and produces worse work.
Book the next sitting at the end of the current one with the healing interval already applied. She is in the chair, the piece is visibly unfinished and it is the easiest booking you will ever take.
Aftercare should send automatically after every sitting rather than being explained over the noise of a machine while somebody is still bleeding. Most healing problems are aftercare problems. A documented send protects you as much as it protects the tattoo.
| Type of work | How the day fills | What it leaves behind |
|---|---|---|
| Walk-in flash | Whoever comes through the door that afternoon | A transaction, occasionally a client |
| A large custom project | Six to ten sittings across a year | A collector who books the next piece before this one heals |
| A guest spot in another city | A week sold out from one announcement | Clients you have no realistic way of seeing again |
| Cover-ups and reworks | The difficult days nobody else wants | Your highest rate and the strongest word of mouth you will get |
A studio that counts how many clients came back for a second piece knows more about next year than one that counts how many tattoos it did.
Each of these sits in the same account, so a booking, its payment and the client record stay together.
Clients send a custom enquiry with reference images through your form or book flash straight into your diary.
Take a deposit at booking and keep it when a client cancels inside your cancellation window.
Consent and medical history forms are sent with the booking and signed before the stencil goes on.
Every artist has their own column and hours, so a guest spot or a day off is clear to the whole studio.
Reminders before the sitting, so a six hour session is not lost to a forgotten date.
Reference photos on each appointment, with notes on placement and sizing for the next session.
The details that usually slow down a move: setup, pricing, bookings, records and how Youzse fits into your day.
Yes. Hold every session with a card deposit at the point of booking so no shows stop costing you money.
Try every feature on your plan free for 30 days, with no card needed.
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